Guidelines Book

Ultra HD Forum        References        


 

Ultra HD Forum Guidelines

White Book: References

Ultra HD Forum

8377 Fremont Blvd., Suite 117

Fremont, CA 94538

UNITED STATES

VERSION 3.0.0

Apr 7, 2023

1. Foreword

This new version v3 of the Ultra HD Forum Guidelines provides a holistic view of modern media systems, their mechanisms and workflows, and how those are impacted by the latest generation of improvements – the “Ultra HD” technologies, those that take media beyond the limits established at the start of this millennia, characterized in large part by the video resolutions and the dynamic range offered for media in “high definition”, i.e., ITU-R Rec. BT.709. The Forum considers Ultra HD to not only be any UHD media (i.e., 4K resolution, or higher), but also HD-resolution media with enhancements such as High Dynamic Range, Wide Color Gamut, etc. Ultra HD is a constellation of technologies that can provide significant improvements in media quality and audience experience.

This work represents over eight years of collaborative effort. These new books would not have been possible without the leadership of Jim DeFilippis, who represents Fraunhofer and chairs our Guidelines Work Group with invaluable support from the co-chair, Pete Sellar of Xperi as well as technical assistance from Ian Nock of Fairmile West Consulting.

Our gratitude to all the companies listed in the Acknowledgments that have participated in this effort over the years and specifically to Nabajeet Barman (Brightcove), Andrew Cotton (BBC),  Jean Louis Diascorn (Harmonic), Richard Doherty (Dolby), Chris Johns (Sky UK), Katy Noland (BBC), Bill Redmann (InterDigital), Chris Seeger (Comcast/NBCUniversal), and Alessandro Travaglini (Fraunhofer).  

This document,Guidelines Index and References  (Black Book), is one of a series of books, referred to as the Rainbow Books, that compose the Ultra HD Forum Guidelines. If any of these terms sound unfamiliar, follow the link below to the Black Book. If a particular standard is of interest, links such as the one above are available to take you to the White Book, where references are collected.

The Rainbow Books are, in their entirety:

White Book        Guidelines Index and References

Red Book        Introduction to Ultra HD

Orange Book        Foundational Technologies for Ultra HD

Yellow Book        Beyond Foundational Technologies

Green Book        Ultra HD Distribution

Blue Book        Ultra HD Production and Post Production

Indigo Book        Ultra HD Technology Implementations

Violet Book        Real World Ultra HD

Black Book        Terms and Acronyms

Updates in this new version of the Ultra HD Forum Guidelines are described on the following page.

I hope you will enjoy reading today.

If you want to know more about Ultra HD, and join our discussions on how it can be deployed, I invite you to join the Ultra HD Forum. You can start by visiting our website: www.ultrahdforum.org.

 

Nandhu Nandhakumar, President, Ultra HD Forum

April 2023


1.1 Changes from version 2.6 to 3.0

What’s new in the Spring 2023 version of the UHDF Guidelines Red Book,  Guidelines Index and References  (v3.0), edited by Jim DeFilippis and Ian Nock.

The Guidelines Index and References is a reference book for the series of Rainbow Books on the Guidelines for Ultra HD.  The scope and purpose of this book is to provide an overall table of contents for each book as well as a compilation of all the technical references used throughout the Guidelines.  

While most of the information in this edition is material from the previous version of the Guidelines (v2.6), the information has been updated.  New references have been added, reference numbers [116] through [135].

We hope this new format will be helpful in understanding UHD technologies as well as planning for new or expanded Ultra HD services.

 

Jim DeFilippis and Pete Sellar,

 Guidelines Working Group Co-Chairs, Ultra HD Forum, April  2023


2. ​Acknowledgements

We would like to provide the acknowledgement to all the member companies, past and present, of the Ultra HD Forum who have contributed in some small or large part to the body of knowledge that has been contributed to the Guidelines Color Books, including the specific subject of this book.

ARRIS

ATEME

ATT DIRECTV

British Broadcasting Corporation

BBright

Beamr

Brightcove Inc.

Broadcom

B<>COM

Comcast / NBC Universal LLC

Comunicare Digitale

Content Armor

CTOIC

Dolby

DTG

Endeavor Streaming

Eurofins Digital Testing

Fairmile West

Fraunhofer IIS

Harmonic

Huawei Technologies

InterDigital

LG Electronics

Mediakind

MovieLabs

NAB

Nagra, Kudelski Group

NGCodec

Sky UK

Sony Corporation

Xperi

Technicolor SA

Verimatrix Inc.

V-Silicon


3. ​Notice

The Ultra HD Forum Guidelines are intended to serve the public interest by providing recommendations and procedures that promote uniformity of product, interchangeability and ultimately the long-term reliability of audio/video service transmission. This document shall not in any way preclude any member or nonmember of the Ultra HD Forum from manufacturing or selling products not conforming to such documents, nor shall the existence of such guidelines preclude their voluntary use by those other than Ultra HD Forum members, whether used domestically or internationally.

The Ultra HD Forum assumes no obligations or liability whatsoever to any party who may adopt the guidelines. Such an adopting party assumes all risks associated with adoption of these guidelines and accepts full responsibility for any damage and/or claims arising from the adoption of such guidelines.

Attention is called to the possibility that implementation of the recommendations and procedures described in these guidelines may require the use of subject matter covered by patent rights. By publication of these guidelines, no position is taken with respect to the existence or validity of any patent rights in connection therewith. Ultra HD Forum shall not be responsible for identifying patents for which a license may be required or for conducting inquiries into the legal validity or scope of those patents that are brought to its attention.

Patent holders who believe that they hold patents which are essential to the implementation of the recommendations and procedures described in these guidelines have been requested to provide information about those patents and any related licensing terms and conditions.

All Rights Reserved

© Ultra HD Forum 2022


4. ​Contents

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        11

5.4. Yellow Book: Beyond Foundational Technologies        12

5.5. Green Book: Ultra HD Distribution        13

5.6. Blue Book: Ultra HD Production and Post Production        14

5.7. Indigo Book: Ultra HD Technology Implementations        15

5.8. Violet Book: Real World Ultra HD        19

5.9. Black Book: Terms and Acronyms        20

6. Reference List        21


5. ​Color Books Index

The Color Book are as follows:

White Book        Guidelines Index and References (This document)

Red Book        Introduction to Ultra HD

Orange Book        Foundational Technologies for Ultra HD

Yellow Book        Beyond Foundational Technologies

Green Book        Ultra HD Distribution

Blue Book        Ultra HD Production and Post Production

Indigo Book        Ultra HD Technology Implementations

Violet Book        Real World Ultra HD

Black Book        Terms and Acronyms


5.1. White Book: Guidelines Index and References

Guidelines Index and References - This document where you can find the view of the content of all Color Books as well as the full list of References used in all the Color Books. A necessary amount of recursion.

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        9

5.3. Orange Book: Foundational Technologies for Ultra HD        9

5.4. Yellow Book: Beyond Foundational Technologies        11

5.5. Green Book: Ultra HD Distribution        13

5.6. Blue Book: Ultra HD Production and Post Production        16

5.7. Indigo Book: Ultra HD Technology Implementations        18

5.8. Violet Book: Real World Ultra HD        22

5.9. Black Book: Terms and Acronyms        24

6. Reference List        24


5.2. Red Book: Introduction to Ultra HD

Introduction to Ultra HD - A general introduction to Ultra HD.

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        10

5.4. Yellow Book: Beyond Foundational Technologies        11

5.5. Green Book: Ultra HD Distribution        14

5.6. Blue Book: Ultra HD Production and Post Production        16

5.7. Indigo Book: Ultra HD Technology Implementations        18

5.8. Violet Book: Real World Ultra HD        22

5.9. Black Book: Terms and Acronyms        24

6. Reference List        24


5.3. Orange Book: Foundational Technologies for Ultra HD

Foundational Technologies for Ultra HD - All about the Foundational Technologies for Ultra HD

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        11

5.4. Yellow Book: Beyond Foundational Technologies        11

5.5. Green Book: Ultra HD Distribution        13

5.6. Blue Book: Ultra HD Production and Post Production        15

5.7. Indigo Book: Ultra HD Technology Implementations        18

5.8. Violet Book: Real World Ultra HD        22

5.9. Black Book: Terms and Acronyms        24

6. Reference List        24


5.4. Yellow Book: Beyond Foundational Technologies

Beyond Foundational Technologies - Going beyond the Foundational Technologies of Ultra HD

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        11

5.4. Yellow Book: Beyond Foundational Technologies        12

5.5. Green Book: Ultra HD Distribution        12

5.6. Blue Book: Ultra HD Production and Post Production        13

5.7. Indigo Book: Ultra HD Technology Implementations        16

5.8. Violet Book: Real World Ultra HD        20

5.9. Black Book: Terms and Acronyms        22

6. Reference List        22


5.5. Green Book: Ultra HD Distribution

Ultra HD Distribution - All about Ultra HD Distribution.

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        11

5.4. Yellow Book: Beyond Foundational Technologies        12

5.5. Green Book: Ultra HD Distribution        13

5.6. Blue Book: Ultra HD Production and Post Production        13

5.7. Indigo Book: Ultra HD Technology Implementations        15

5.8. Violet Book: Real World Ultra HD        19

5.9. Black Book: Terms and Acronyms        21

6. Reference List        21


5.6. Blue Book: Ultra HD Production and Post Production

Ultra HD Production and Post Production - A dive into Production and Post Production of Ultra HD.

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        11

5.4. Yellow Book: Beyond Foundational Technologies        12

5.5. Green Book: Ultra HD Distribution        13

5.6. Blue Book: Ultra HD Production and Post Production        14

5.7. Indigo Book: Ultra HD Technology Implementations        14

5.8. Violet Book: Real World Ultra HD        17

5.9. Black Book: Terms and Acronyms        19

6. Reference List        19


5.7. Indigo Book: Ultra HD Technology Implementations

Ultra HD Technology Implementations - A run through of Ultra HD Technology Implementation.

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. Acknowledgements        5

3. Notice        6

4. Contents        7

5. Figures        11

6. Tables        14

7. Monographs on HDR        15

7.1. Dolby Vision        16

7.1.1. Dolby Vision Encoding/Decoding Overview        16

7.1.2. Dolby Vision Cross Compatibility        18

7.1.3. Dolby Vision Color Volume Mapping (Display Management)        18

7.1.4. Dolby Vision in Broadcast        19

7.2. Dual Layer - Scalable High-Efficiency Video Coding (SHVC)        22

7.3. SL-HDR1        25

7.4. SL-HDR2        38

8. Monographs on NGA        53

8.1. Dolby AC-4        54

8.1.1. Dynamic Range Control (DRC) and Loudness        56

8.1.2. Hybrid Delivery        58

8.1.3. Backward Compatibility        58

8.1.4. Next Generation Audio Metadata and Rendering        58

8.1.5. Overview of Immersive Program Metadata and rendering        59

8.1.5.1. Object-based Audio Rendering        59

8.1.5.2. Rendering-control metadata        62

8.1.6. Overview of Personalized Program Metadata        64

8.1.6.1. Presentation Metadata        64

8.1.7. Essential Metadata Required for Next-Generation Broadcast        65

8.1.7.1. Intelligent Loudness Metadata        65

8.1.7.2. Personalized Metadata        67

8.1.7.3. Object Audio Metadata        67

8.1.8. Metadata Carriage        70

8.1.8.1. File-based carriage of Object- and Channel-based Audio with metadata        70

8.1.8.2. Real-time carriage of Object- and Channel-based Audio with metadata        71

8.2. DTS-UHD        74

8.2.1. Introduction        74

8.2.3. DTS-UHD Bitstream        76

8.2.3.1. Sync and Non-Sync Frames        77

8.2.4. Metadata        77

8.2.4.1. Loudness        78

8.2.4.2. Dynamic Range Control and Personalization        79

8.2.4.3. Metadata Chunk CRC Word        79

8.2.5. Audio Chunks        80

8.2.6. Organization of Streams        81

8.2.6.1. Objects, Object Groups, Presentations        81

8.2.6.2. Properties of Objects        81

8.2.6.3. Properties of Object Groups        81

8.2.6.4. Audio Presentations and Rendering        82

8.2.7. Multi-Stream Playback        85

8.2.8. Rendering        87

8.2.9. Personalization        90

8.3. MPEG-H Audio        91

8.3.1. Introduction        91

8.3.1.1. Personalization and Interactivity        92

8.3.1.2. Universal delivery        93

8.3.1.3. Immersive Sound        94

8.3.1.4. Distributed User Interface Processing        94

8.3.2. MPEG-H Audio Metadata        95

8.3.2.1. Metadata Structure        96

8.3.2.2. Metadata Example        97

8.3.2.3. Personalization Use Case Examples        98

8.3.3. Audio Stream        101

8.3.3.1. Random Access Point        102

8.3.3.2. Configuration Changes and A/V Alignment        102

9. Monographs on Workflow        105

9.1. ACES Workflow for Color and Dynamic Range        106

9.2. IP-based Workflow – SMPTE ST 2110        108

9.2.1. Why IP?        108

9.2.2. Why SMPTE ST 2110?        109

9.2.3. Deployment        110

9.2.4. Technology        111

9.3. NBCU Single-Master HDR-SDR Workflow Recommendations        115

9.3.1. Introduction        115

9.3.2. “Single-Stream” HDR-SDR Workflow Guide        115

9.3.2.1. Signal Flow from Production to Distribution        115

9.3.2.2. Basic Shading and Video Monitoring Practices        117

9.3.3. Conversion LUTs        119

9.3.3.1. NBC LUTs        119

9.3.3.2. Cross-Conversion HDR LUTs        120

9.3.3.3. NBCU Strategy on HDR/SDR Conversion LUTs        121

9.3.3.4. 3D Cube Look-Up Tables (3D-LUT)        124

9.3.3.5. Types of LUTs        125

9.3.3.6. 3D LUT Interpolation Modes        127

9.3.4. Shading Detail        128

9.3.4.1. Settings and Setup        129

9.3.4.2. HDR Camera Level Settings        130

9.3.4.3. SDR Camera Level Settings        130

9.3.4.4. Monitor Graphic Video Levels        130

9.3.4.5. Monitoring SDR Output Down-Mapped Quality        131

9.3.5. Production and Distribution Detail        131

9.3.5.1. HLG for Production        131

9.3.5.2. PQ for Distribution        131

9.3.6. Waveform Monitor References        133

9.3.7. Color Conversion Accuracy Analysis        141

9.3.7.1. NBCU LUT 1: SDR to HDR Conversion        142

9.3.7.2. NBCU LUT 3 and 5: HDR to SDR Conversion        143

9.3.7.3. NBCU LUT 7C: HLG to PQ Conversion        144

9.3.7.4. Testing Signal Pass-thru using ∆E-ITP        145

9.3.8. Signal Level Relationships During Conversions        145

9.3.8.1. Signal Level Relationships Between HDR and SDR        145

9.3.8.2. SDR to HLG to SDR Roundtrip Signal Mapping        146

9.3.8.3. PQ Mappings, SDR to PQ to SDR        147

9.3.8.4. HLG to PQ Level Mappings        149

9.3.8.5. Production Levels Mappings        150

9.3.9. ITU-R BT.2408 Workflow Adapted for NBCU        153

9.3.10. BT.2408 Conversion Details        154

9.3.10.1. Display Light Conversion, SDR to HDR        154

9.3.10.2. Scene Light Conversion, SDR to HDR        154

9.3.10.3. HLG to PQ Conversion, Production to Transmission        155

9.3.11. References and Acronyms        155

9.3.11.1. References        155

9.3.11.2. Definitions and Acronyms        155

9.3.11.3. Reference Files, Tools and Test Patterns        156

10. Monographs on Encoding        157

(reserved for future encoding technologies)        157

11. Monographs on Distribution        158

11.1. ATSC 3.0        158

11.1.1. Why ATSC 3.0?        158

11.1.2. Deployment        159

11.1.3. Technology        159

11.1.4. ATSC 3.0 and OTT services        163

11.2. Brazilian Roadmap to UHD        164

11.2.1. Why the “TV 2.5” Approach?        164

11.2.2. Deployment        165

11.2.2.1. Rede Amazônica started TV 2.5 regular broadcast with MPEG-H Audio        165

11.2.3. Technology        167

11.2.4. Brazil Adopts TV 3.0        169

11.3. DVB-T2 UHD        172

11.3.1. What is DVB        172

11.3.2. Global Deployment of Second Generation DTT        173

11.3.3. Technology in Use        173

11.3.4. Suitability for UHD        174

11.3.5. Conclusions        177

11.3.6. Additional DVB-T2 References        178


5.8. Violet Book: Real World Ultra HD

Real World Ultra HD - Going into the Real World with Ultra HD.

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        11

5.4. Yellow Book: Beyond Foundational Technologies        12

5.5. Green Book: Ultra HD Distribution        13

5.6. Blue Book: Ultra HD Production and Post Production        14

5.7. Indigo Book: Ultra HD Technology Implementations        15

5.8. Violet Book: Real World Ultra HD        19

5.9. Black Book: Terms and Acronyms        19

6. Reference List        19


5.9. Black Book: Terms and Acronyms

Terms and Acronyms - A full list of Terms of Acronyms used in the Color Books.

1. Foreword        2

1.1 Changes from version 2.6 to 3.0        4

2. ​Acknowledgements        5

3. ​Notice        6

4. ​Contents        7

5. ​Color Books Index        8

5.1. White Book: Guidelines Index and References        9

5.2. Red Book: Introduction to Ultra HD        10

5.3. Orange Book: Foundational Technologies for Ultra HD        11

5.4. Yellow Book: Beyond Foundational Technologies        12

5.5. Green Book: Ultra HD Distribution        13

5.6. Blue Book: Ultra HD Production and Post Production        14

5.7. Indigo Book: Ultra HD Technology Implementations        15

5.8. Violet Book: Real World Ultra HD        19

5.9. Black Book: Terms and Acronyms        20

6. Reference List        20


6. Reference List

The references defined here are all provided with unique reference number, reference title which will be explanatory about the nature of the reference, some codification of the specific version or variant of the reference and shall also provide the updated link to the specific reference.

[1]        Recommendation ITU-T H.222.0 | ISO/IEC 13818-1:2021, “Information Technology—Generic coding of moving pictures and associated audio information - Part 1: Systems”, June 2021,
https://www.itu.int/rec/T-REC-H.222.0-202106-I/en

[2]        Recommendation ITU-R BT.709-6:2015, “Parameter values for the HDTV standards for production and international programme exchange”, July 2015,
https://www.itu.int/rec/R-REC-BT.709-6-201506-I/en

[3]        Recommendation ITU-R BT.2020:2015, “Parameter values for ultra-high definition television systems for production and international programme exchange”, Oct 2015,
ec/R-REC-BT.2020-2-201510-I/en

[4]        Recommendation ITU-R BT.1886:2011, “Reference electro-optical transfer function for flat panel displays used in HDTV studio production”, March 2011,
https://www.itu.int/dms_pubrec/itu-r/rec/bt/R-REC-BT.1886-0-201103-I!!PDF-E.pdf

[5]        Recommendation ITU-R BT.2100, “Image parameter values for high dynamic range television for use in production and international programme exchange”, July 2018, http://www.itu.int/rec/R-REC-BT.2100

[6]        Report ITU-R BT.2390-2, “High dynamic range television for production and international programme exchange”, https://www.itu.int/pub/R-REP-BT.2390-2016 (companion report to ITU-R Recommendation BT.2100)

[7]        Recommendation ITU-R BT.2087-0:2015, “Colour conversion from ITU-R BT.709 to ITU-RBT.2020”, Oct 2015,
https://www.itu.int/rec/R-REC-BT.2087/en

[8]        Recommendation ITU-R BT.2408-5:2022, “Operational Practices in HDR Television Production”, Mar 2022,
https://www.itu.int/pub/R-REP-BT.2408-5-2022

[9]        SMPTE ST 2084:2014, “High Dynamic Range Electro-Optical Transfer Function of Mastering Reference Displays”, Aug 2014,
https://ieeexplore.ieee.org/document/7291452

[10]        SMPTE ST 2086:2018, “Mastering Display Color Volume Metadata Supporting High Luminance and Wide Color Gamut Images”, April 2018,
https://ieeexplore.ieee.org/document/8353899

[11]        SMPTE Study Group report, High Dynamic Range (HDR) Ecosystem, Sept 19, 2015, 
https://www.murideo.com/uploads/5/2/9/0/52903137/study_group_on_high-dynamic-range-hdr-ecosystem.pdf

[12]        DVB UHD-1 Phase 1 specification, ETSI TS 101 154 v2.1.1:2015, “Specification for the use of Video and Audio Coding in Broadcasting Applications based on MPEG-2 Transport Stream”, Mar 2015,
http://www.etsi.org/deliver/etsi_ts/101100_101199/101154/02.01.01_60/ts_101154v020101p.pdf

[13]        DVB DASH specification, ETSI TS 103 285 v1.3.1:2020, “MPEG-DASH Profile for Transport of ISO BMFF Based DVB Services over IP Based Networks”, Feb 2020,
https://www.etsi.org/deliver/etsi_ts/103200_103299/103285/01.03.01_60/ts_103285v010301p.pdf

[14]        Recommendation ITU-R BT.814-4:2018, “Specifications of PLUGE test signals and alignment procedures for setting of brightness and contrast of displays”, July 2018,
https://www.itu.int/rec/R-REC-BT.814-4-201807-I/en

[15]        HDMI 2.1 specification(note: Specification available to Adopters only) https://www.hdmi.org/spec/hdmi2_1

[16]        DASH-IF Interoperability Points: Guidelines for Implementation, version 4.3, November 2018,
https://dashif.org/docs/DASH-IF-IOP-v4.3.pdf

[17]        DCI Specification, Version 1.2 with Errata as of 30 August 2012 Incorporated, October 2012,
https://www.dcimovies.com/archives/spec_v1_2_With_Errata_Incorporated/DCI_DCSS_v12_with_errata_2012-1010.pdf

[18]        CTA-608-E S-2019, “Line 21 Data Services”, Dec 2019,
https://shop.cta.tech/products/line-21-data-services#:~:text=ANSI%2FCTA%2D608%2DE%20S%2D2019%20is%20a,of%20the%20NTSC%20video%20signal.

[19]        ANSI/CTA-708-E S-2023, “Digital Television (DTV) Closed Captioning”, Aug 2013,
https://shop.cta.tech/products/digital-television-dtv-closed-captioning

[20]        ETSI 300 743, “Digital Video Broadcasting (DVB); Subtitling systems”, v1.3.6, Nov 2006, http://www.etsi.org/deliver/etsi_en/300700_300799/300743/01.03.01_60/en_300743v010301p.pdf

[21]        ETSI 300 472, ”Digital Video Broadcasting (DVB); Specification for conveying ITU-R System B Teletext in DVB bitstreams”, v1.3.1, May 2003, http://www.etsi.org/deliver/etsi_en/300400_300499/300472/01.03.01_60/en_300472v010301p.pdf

[22]        ANSI/SCTE-27 2016 (R2021), “Subtitling Methods for Broadcast Cable”, 2021,
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_27_2016_R2021.pdf

[23]        W3C Recommendation: “TTML Text and Image Profiles for Internet Media Subtitles and Captions (IMSC1)”, v1.01, April 2018,
https://www.w3.org/TR/ttml-imsc1.0.1/

[24]        ATSC: “Techniques for Establishing and Maintaining Audio Loudness for Digital Television,” Doc. A/85, Advanced Television Systems Committee, Washington, D.C., 12 March 2013, http://atsc.org/recommended-practice/a85-techniques-for-establishing-and-maintaining-audio-loudness-for-digital-television/

[25]        ISO/IEC: Doc. ISO/IEC 14496-10:2022, “MPEG-4 -- Part 10: Advanced Video Coding”[1]
, Nov 2022,
https://www.iso.org/standard/83529.html

[26]        ISO/IEC: Doc. ISO/IEC 23008-2:2020 “Information technology -- High efficiency coding and media delivery in heterogeneous environments -- Part 2: High efficiency video coding”[2], Aug 2020,
https://www.iso.org/standard/75484.html

[27]        ISO/IEC 14496-3:2019, “Informational Technology, Coding of Audio-Visual objects, Part 3: Audio”, Dec 2019,
https://www.iso.org/standard/76383.html

[28]        ISO/IEC 14496-12:20120, "Information technology—Coding of audio-visual objects—Part 12: ISO base media file format”, Dec 2020,
https://www.iso.org/standard/74428.html

[29]        ETSI 102 366 v1.4.1 (2017-09), “Digital Audio Compression (AC-3, Enhanced AC-3) Standard”, Sept 2009,
https://www.etsi.org/deliver/etsi_ts/102300_102399/102366/01.04.01_60/ts_102366v010401p.pdf

[30]        SMPTE RP 431-2:2011, “D-Cinema Quality — Reference Projector and Environment", April 2011,
https://ieeexplore.ieee.org/document/7290729

[31]        CTA 861-H, “A DTV Profile for Uncompressed High Speed Digital Interfaces”, Jan 2021,
https://www.cta.tech/SearchResults?search=CTA+861

[32]        W3C: “HTML5, A vocabulary and associated APIs for HTML and XHTML” https://www.w3.org/TR/html5/

[33]        ETSI TS 103 433-1 v1.2.1 (2016-08) "High-Performance Single Layer Directly Standard Dynamic Range (SDR) Compatible High Dynamic Range (HDR) System for use in Consumer Electronics devices (SL-HDR1)", http://www.etsi.org/deliver/etsi_ts/103400_103499/10343301/01.02.01_60/ts_10343301v010201p.pdf

[34]        ETSI TS 103 433-2 v1.1.1 (2018-01) “High-Performance Single Layer High Dynamic Range (HDR) System for use in Consumer Electronics devices; Part 2: Enhancements for Perceptual Quantization (PQ) transfer function based High Dynamic Range (HDR) Systems (SL-HDR2)”, https://www.etsi.org/deliver/etsi_ts/103400_103499/10343302/01.01.01_60/ts_10343302v010101p.pdf

[35]        ETSI TS 103 420 v1.2.1 (2018-10), “Object-based audio coding for Enhanced AC-3 (E-AC-3)”.
https://www.etsi.org/deliver/etsi_ts/103400_103499/103420/01.02.01_60/ts_103420v010201p.pdf

df[36]        SMPTE ST 337:2015, “Format for Non-PCM Audio and Data in AES 3 Serial Digital Audio Interface”
https://ieeexplore.ieee.org/document/7291671

[37]        Recommendation ITU-R BS.1770-4, “Algorithms to measure audio programme loudness and true-peak audio level”, October 2015.
https://www.itu.int/rec/R-REC-BS.1770-4-201510-I/en

[38]        SMPTE ST 2067-21:2020, “Interoperable Master Format — Application #2E,” 2016
https://ieeexplore.ieee.org/document/9097487

[39]        MovieLabs, “MovieLabs Specification for Enhanced Content Protection, v1.3”, Dec 2020. https://movielabs.com/ngvideo/MovieLabs_ECP_Spec_v1.3.pdf

[40]        ISO/IEC 23001-12:2015, “Information technology -- MPEG systems technologies - Part 12: Sample Variants in the ISO base media file format”
https://www.iso.org/standard/67077.html

[41]        ETSI TS 102 034 v2.1.1 (2016-04), “Transport of MPEG-2 TS Based DVB Services over IP Based Networks”
https://www.etsi.org/deliver/etsi_ts/102000_102099/102034/02.01.01_60/ts_102034v020101p.pdf

[42]        Internet Engineering Task Force (IETF) RFC 3550, “RTP: A Transport Protocol for Real-Time Applications”, https://www.ietf.org/rfc/rfc3550.txt

[43]        SMPTE ST 2110-10:2017, “Professional Media over IP Networks: System Timing and Definitions”
https://ieeexplore.ieee.org/document/8165974

[44]        SMPTE ST 2110-20:2017, “Professional Media over IP Networks: Uncompressed Active Video”
https://ieeexplore.ieee.org/document/8167389

[45]        SMPTE ST 2110-21:2022, “Professional Media over IP Networks: Traffic Shaping and Delivery Timing for Video”
https://ieeexplore.ieee.org/document/9973262

[46]        SMPTE ST 2110-30:2017, “Professional Media over IP Networks: PCM Digital Audio”
https://ieeexplore.ieee.org/document/8167392

[47]        SMPTE ST 2110-40:2018, “Professional Media over IP Networks: SMPTE ST 291-1 Ancillary Data”
https://ieeexplore.ieee.org/document/8353279

[48]        SMPTE ST 2108-1:2018, “HDR/WCG Metadata Packing and Signaling in the Vertical Ancillary Data Space”
https://ieeexplore.ieee.org/document/8471270

[49]        OpenCable Specifications, OC-SP-EP-I01-130118: “Encoder Boundary Point Specification” (01/2013). https://apps.cablelabs.com/specification/encoder-boundary-point-specification/

[50]        SMPTE ST 2065-1:2012, “Academy Color Encoding Specification (ACES)”
https://ieeexplore.ieee.org/document/9343931

[51]        ATSC: A/300:2022-4, “ATSC 3.0 System”, April 2022, 
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/04/A300-2022-04-ATSC-3-System-Standard.pdf

[52]        ATSC: A/322:2022, “Physical Layer Protocol”, March 31 2022, https://www.atsc.org/wp-content/uploads/2016/10/A322-2017a-Physical-Layer-Protocol.pdf

[53]        ATSC: A/331:2023-02, “, “Signaling, Delivery, Synchronization, and Error Protection”, February 2023, 
https://prdatsc.wpenginepowered.com/wp-content/uploads/2023/02/A331-2023-02-Signaling-Delivery-Sync-FEC.pdf

[54]        ATSC: A/341:2022-09, “Video-HEVC”, Sept 2022,
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/09/A341-2022-09-Video-HEVC.pdf

[55]        ATSC: A/342-1:2022-03, “Audio Common Elements”, March 2022, 
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/04/A342-1-2022-03-Audio-Common-Elements.pdf

[56]        ATSC: A/342-2:2022-03, “AC-4 System”, March 2022,
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/04/A342-2-2022-03-AC4-System.pdf

[57]        ATSC: A/342-3:2022-3, “MPEG-H System”, March 2022,
https://www.atsc.org/wp-content/uploads/2022/04/A342-3-2022-03-MPEG-System.pdf

[58]        CableLabs OC-TR-IP-MULTI-ARCH-C01-161026:2016, “IP Multicast Adaptive Bit Rate Architecture Technical Report”, November 26, 2016, https://community.cablelabs.com/wiki/plugins/servlet/cablelabs/alfresco/download?id=77eb9e28-c7ed-491a-98ba-f20507eb223e

[59]        DASH-IF: “Guidelines for Implementation: DASH-IF Interoperability Points for ATSC 3.0, Version 1.1,” DASH Interoperability Forum”, June 2018, https://dashif.org/docs/DASH-IF-IOP-for-ATSC3-0-v1.1.pdf

[60]        DVB: A168:2019, “MPEG-DASH Profile for Transport of ISO BMFF Based DVB Services over IP Based Networks”, October 2019, https://dvb.org/wp-content/uploads/2019/12/a168_dvb_mpeg-dash_oct_2019.pdf

[61]        EBU Tech 3364, “Audio Definition Model Metadata Specification Ver. 2.0”, June 2018, https://tech.ebu.ch/docs/tech/tech3364.pdf

[62]        EBU R 128, “Loudness Normalisation and Permitted Maximum Level of Audio Signals”, June 2022, https://tech.ebu.ch/docs/r/r128.pdf

[63]        ETSI TS 101 154 v2.4.1 (2018-02), “Digital Video Broadcasting (DVB); Specification for the use of Video and Audio Coding in Broadcasting”, February 14, 2018, https://www.etsi.org/deliver/etsi_ts/101100_101199/101154/02.04.01_60/ts_101154v020401p.pdf

[64]        ETSI TS 102 366 Annex H, “Digital Audio Compression (AC-3, Enhanced AC-3) Standard”, August 20, 2008, http://www.etsi.org/deliver/etsi_ts/102300_102399/102366/01.02.01_60/ts_102366v010201p.pdf

[65]        ETSI TS 103 190-2 (2015-09), “Digital Audio Compression (AC-4) Standard Part2: Immersive and personalized audio”, September 25, 2015, http://www.etsi.org/deliver/etsi_ts/103100_103199/10319002/01.01.01_60/ts_10319002v010101p.pdf

[66]        ETSI GS CCM 001 (2017-02), “Compound Content Management v1.1.1”, February 8, 2017, http://www.etsi.org/deliver/etsi_gs/CCM/001_099/001/01.01.01_60/gs_ccm001v010101p.pdf

[67]        APPLE “HLS Authoring Specification for Apple Devices”, April 9, 2017, https://developer.apple.com/library/content/documentation/General/Reference/HLSAuthoringSpec/Requirements.html

[68]        ISO/IEC: 14496-12, “Information technology—Coding of audio-visual objects—Part 12: ISO base media file format”, December 2015, https://www.iso.org/standard/68960.html

[69]        ISO/IEC: 23008-2, “Information technology -- High efficiency coding and media delivery in heterogeneous environments -- Part 2: High efficiency video coding”, May 2015, https://www.iso.org/standard/67660.html[3]

[70]        ISO/IEC: 23008-3, "Information technology – High efficiency coding and media delivery in heterogeneous environments – Part 3: 3D audio", October 2015, https://www.iso.org/standard/63878.html; including ISO/IEC: 23008-3:2015/Amd 2:2016, "MPEG-H 3D Audio File Format Support ", September 2016, https://www.iso.org/standard/68592.html and ISO/IEC: 23008-3:2015/Amd 3:2017, "MPEG-H 3D Audio Phase 2", January 2017, https://www.iso.org/standard/69561.html

[71]        ITU-R BS.1771, “Requirements for loudness and true-peak indicating meters”, January 2012, https://www.itu.int/dms_pubrec/itu-r/rec/bs/R-REC-BS.1771-1-201201-I!!PDF-E.pdf

[72]        ITU-R BS.2076-2, “Audio Definition Model”, Oct 2019, https://www.itu.int/rec/R-REC-BS.2076-2-201910-I/en

[73]        ITU-R BS.2088-1, “Long-form file format for the international exchange of audio programme materials with metadata”, October 2019,
https://www.itu.int/rec/R-REC-BS.2088/en

[74]        ITU-R BR.1352-3, “File format for the exchange of audio program materials with metadata on information technology media”, January 11, 2008, https://www.itu.int/dms_pubrec/itu-r/rec/br/R-REC-BR.1352-3-200712-W!!PDF-E.pdf

[75]        ITU-R BT.1886, “Reference electro-optical transfer function for flat panel displays used in HDTV studio production”, March 2011,
https://www.itu.int/dms_pubrec/itu-r/rec/bt/R-REC-BT.1886-0-201103-I!!PDF-E.pdf

[76]        Report ITU-R BT.2390-3, “High dynamic range television for production and international programme exchange”, October 2017, https://www.itu.int/dms_pub/itu-r/opb/rep/R-REP-BT.2390-3-2017-PDF-E.pdf

[77]        SCTE: 135-1:2018, “Data-Over-Cable Service Interface Specification version 3.0”, 2018,
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE20135-01202018.pdf

[78]        SCTE 242-3:2022, “Next Generation Audio Coding Constraints for Cable Systems: Part 3 –MPEG-H Audio Coding Constraints”, 2022, https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_243-3_2022.pdf

[79]        SMPTE ST 424:2012, “3 Gb/s Signal/Data Serial Interface”, October 8, 2012, https://ieeexplore.ieee.org/document/7290519

[80]        SMPTE ST 425-1:2017, “Source Image Format and Ancillary Data Mapping for the 3 Gb/s Serial Interface”, November 1, 2017,
https://ieeexplore.ieee.org/document/8113731

        ST 425-3:2019, “Image Format and Ancillary Data Mapping for the Dual Link 3Gb/s Serial Interface”, May 2019,https://ieeexplore.ieee.org/document/8716816 ; and

        ST 425-5:2019, “Image Format and Ancillary Data Mapping for the Quad Link 3Gb/s Serial Interface”, May 2019,https://ieeexplore.ieee.org/document/8716813

[81]        SMPTE ST 2022-2:2007, “Unidirectional Transport of Constant Bit Rate MPEG-2 Transport Streams on IP Networks”, May 24, 2007, http://ieeexplore.ieee.org/servlet/opac?punumber=7291738

[82]        SMPTE ST 2022-6:2012, “Transport of High Bit Rate Media Signals over IP Networks (HBRMT)”, October 9, 2012, http://ieeexplore.ieee.org/servlet/opac?punumber=7289941

[83]        SMPTE ST 2081-10:2018, “2160-line and 1080-line Source Image and Ancillary Data Mapping for 6G-SDI”, March 12, 2018, http://ieeexplore.ieee.org/servlet/opac?punumber=8320053

[84]        SMPTE ST 2082-10:2018, “2160-line and 1080-line Source Image and Ancillary Data Mapping for 12G-SDI”, March 12, 2018, http://ieeexplore.ieee.org/servlet/opac?punumber=8320050

[85]        SMPTE ST 2094-1:2016, “Dynamic Metadata for Color Volume Transform – Core Components”, June 13, 2016, http://ieeexplore.ieee.org/servlet/opac?punumber=7513359

[86]        SMPTE ST 2094-10:2016, “Dynamic Metadata for Color Volume Transform – Application #1”, June 13, 2016, http://ieeexplore.ieee.org/servlet/opac?punumber=7513368

[87]        TTA: TTAK-KO-07.0127R1:2016, “Transmission and Reception for Terrestrial UHDTV Broadcasting Service”, December 27, 2016,
http://www.tta.or.kr/include/Download.jsp?filename=stnfile/TTAK.KO-07.0127_R1.pdf

[88]        EBU Tech Report 038, March 2017, “Subjective evaluation of HLG for HDR and SDR distribution” https://tech.ebu.ch/publications/tr038

[89]        EBU Recommendation 129, November 2018, “Advice to Broadcasters on Avoiding Image Retention on TV Production Displays”, https://tech.ebu.ch/docs/r/r129.pdf

[90]        Dolby Vision Profiles and Levels, v1.3.3, November, 2019,
http://dev-qiyun.club/media/DolbyVisionProfilesLevels.pdf

[91]        ETSI TS 103 491 v1.2.1 (2019-05) DTS-UHD Audio Format: Delivery of Channels, Objects and Ambisonic Sound Fields, May 2019,
https://www.etsi.org/deliver/etsi_ts/103400_103499/103491/01.02.01_60/ts_103491v010201p.pdf

[92]        ETSI TS 101 154 v2.6.1 (2019-09), “Digital Video Broadcasting (DVB); Specification for the use of Video and Audio Coding in Broadcasting Application based on the MPEG-2 Transport Stream”, September 2019,
https://www.etsi.org/deliver/etsi_ts/101100_101199/101154/02.06.01_60/ts_101154v020601p.pdf

[93]        ANSI/SCTE 242-4 2018, Next Generation Audio Coding Constraints for Cable Systems: Part 4 – DTS-UHD Audio Coding Constraints,
https://www.scte.org/standards/library/catalog/scte-242-4-next-generation-audio-coding-constraints-for-cable-systems-part4/

[94]        ANSI/SCTE 243-4 2018, Next Generation Audio Carriage Constraints for Cable Systems: Part 4 – DTS-UHD Audio Carriage Constraints, 
https://www.scte.org/standards/library/catalog/scte-242-4-next-generation-audio-coding-constraints-for-cable-systems-part4/

[95]        Deprecated. See [8] ITU report BT.2408-2 “Guidance for operational practices in HDR television production” (04/2019), https://www.itu.int/pub/R-REP-BT.2408

[96]        Deprecated.  See [77] ANSI/SCTE 135-1 2019        

[97]        ANSI/SCTE 220-1 2022, “DOCSIS 3.1 Part 1:  Physical Layer Specification”, 2022,
https://webstore.ansi.org/standards/scte/ansiscte2202022

[98]        ETSI EN 302 769 v1.1.1 (2010-04), “Digital Video Broadcasting (DVB); Frame structure channel coding and modulation for a second generation digital transmission system for cable systems (DVB-C2)”, 
https://www.etsi.org/.../en_302769v010101p.pdf

[99]        SMPTE ST 292-1:2018 1.5 Gb/s Signal/Data Serial Interface
https://ieeexplore.ieee.org/document/8353270

[100]        R. W. G. Hunt, "Light and Dark Adaptation and the Perception of Color*," J. Opt. Soc. Am. 42, 190-199 (1952), https://www.osapublishing.org/josa/abstract.cfm?uri=josa-42-3-190

[101]        J.C. Stevens and S.S. Stevens, “Brightness Function: Effects of Adaptation,” J. Opt. Soc. Am. 53, 375-385 (1963), 
https://doi.org/10.1364/JOSA.53.000375

[102]        J. Kautz, H. Kim, T. Weyrich, “Modeling Perception under Extended Luminance Levels”, ACM TOG, Vol 28 Issue 3, August 2009, https://dl.acm.org/citation.cfm?id=1531333

[103]        T. Borer, “Display of High Dynamic Range Images Under Varying Viewing Conditions,” Proc. SPIE 10396, Applications of Digital Image Processing XI, 103960H, September 2017, https://www.spiedigitallibrary.org/conference-proceedings-of-spie/10396/2274253/Display-of-high-dynamic-range-images-under-varying-viewing-conditions/10.1117/12.2274253.short

[104]        CTA 861.4, “Updates to Dynamic HDR Metadata Signaling”, March 2019, https://members.cta.tech/ctaPublicationDetails/?id=83193112-294f-e911-867a-0003ff528858

[105]        ARIB STD-B67 Version 2.0, “Parameter Values for the Hybrid Log-Gamma (HLG) High Dynamic Range Television (HDR-TV) System for Programme Production”, January 2018,
https://www.arib.or.jp/english/std_tr/broadcasting/std-b67.html

[106]        EBU R 103, “Video signal tolerance in Digital Television Systems”, Version 3.0, June 2020,
https://tech.ebu.ch/docs/r/r103.pdf

[107]        ITU-R BT.2124, “Objective metric for the assessment of the potential visibility of colour differences in television”, January 2019, https://www.itu.int/rec/R-REC-BT.2124-0-201901-I/en

[108]        CTA 5001-A, “Web Application Video Ecosystem-Content Specification”, December 2018, https://cdn.cta.tech/cta/media/media/resources/standards/pdfs/cta-5001-a-final.pdf

[109]        Apple, “About the Common Media Application Format with HTTP Live Streaming”, 2020, https://developer.apple.com/documentation/http_live_streaming/about_the_common_media_application_format_with_http_live_streaming

[110]        SMPTE ST 2108-2:2019, “Vertical Ancillary Data Mapping of KLV Formatted HDR/WCG Metadata”, 2019, https://ieeexplore.ieee.org/servlet/opac?punumber=8809960

[111]        ETSI TS 102 114 v1.6.1 (2019-08), “DTS Coherent Acoustics; Core and Extensions with Additional Profiles”, August 2, 2019, https://www.etsi.org/deliver/etsi_ts/102100_102199/102114/01.06.01_60/ts_102114v010601p.pdf

[112]        ISO/IEC: 14496-15, “Information technology – Coding of audio-visual objects—Part 15: Carriage of network abstraction layer (NAL) unit structured video in the ISO base media file format”, September, 2019,
 https://www.iso.org/standard/74429.html

[113]        Recommendation ITU-R BT.2124, “Objective metric for the assessment of the potential visibility of colour differences in televisions”, Jan 2019, http://www.itu.int/rec/R-REC-BT.2124

[114]        Recommendation ITU-T H.273: 2021 | ISO/IEC 23091-2:2019, “Coding-independent code points for video signal type identification”, July 2021, https://www.itu.int/rec/T-REC-H.273/en

[115]        CTA-5005, “Web Application Video –Ecosystem—DASH-HLS Interoperability Specification”, May 2021. /web-application-video-ecosystem-dash-hls-interoperability-specification-cta-5005

[116]        ISO/CIE 11664-5:2016, “Colorimetery-Part 5: CIE 1976 L*u*v* colour space and u’,v’ uniform chromaticity scale diagram”, 2016,
 https://www.iso.org/standard/69034.html

[117]        General Administration of Quality Supervision, Inspection and Quarantine (GAQSIQ) GB/T 33475.2-2016 “Information Technology - High Efficient Media Coding - Part 2: Video”

[118]        State Administration of Press, Publication, Radio, Film and Television (SAPPRFT) GY/T 299.102016 “High Efficiency Coding of Audio and Video - Part 1: Video”

[119]         IEEE 1857.4-2018 “IEEE Approved Draft Standard for 2nd Generation IEEE 1857 Video Coding”, August 2019,
https://standards.ieee.org/ieee/1857.4/5817/

[120]         GAQSIQ GB/T 20090.16-2016 “Information Technology - Advanced Audio and Video Coding Part 16: Radio and Television Video”

[121]         GAQSIQ GB/T 20090.2-2006 “Advanced Video and Audio Coding for Information Technology Part 2: Video”

[122]         IEEE 1857-2013 “IEEE Standard for Advanced Audio and Video Coding”, 2013,
https://www.techstreet.com/ieee/standards/ieee-1857-2013?gateway_code=ieee&vendor_id=5446&product_id=1858370

[123]         Recommendation ITU-R BS.2125 “A serial representation of the Audio Definition         Model”, April 2020,
https://www.itu.int/rec/R-REC-BS.2125-0-201901-I

[124]         SMPTE ST 2116:2019, “Format for Non-PCM Audio and Data in AES3 —                 Carriage of Metadata of Serial ADM (Audio Definition Model)”, Jan 2020,
https://ieeexplore.ieee.org/document/8984678

[125]         SMPTE RDD 33:2015, “Format for Non-PCM Audio and Data in AES3 —                 Dolby-E ® Data Type”, May 2015,
https://ieeexplore.ieee.org/document/8984678

[126]        SMPTE ST 2110-31:2022, ,SMPTE Standard – Professional Media Over                 Managed IP Networks: AES3 Transparent Transport, Nov 2022,
https://ieeexplore.ieee.org/document/9973250

[127]        SMPTE ST 2109:2019, SMPTE Standard – Format for Non-PCM Audio and Data in AES3 – Audio Metadata, August 2019,
https://ieeexplore.ieee.org/document/8809434

[128]   Report ITU-R BT.2446-1, “Methods for conversion of high dynamic range content to           standard dynamic range content and vice-versa”, March 2021, https://www.itu.int/dms_pub/itu-r/opb/rep/R-REP-BT.2446-1-2021-PDF-E.pdf

[129]   Recommendation ITU-R BS.2051-3, “Advanced sound system for programme production”, June 2022,
https://www.itu.int/rec/R-REC-BS.2051-3-202205-I/en

[130]   Report ITU-R BT.2246-7, “The present state of ultra-high definition television”, Oct 2020,
https://www.itu.int/pub/R-REP-BT.2246-7-2020

[131]  SMPTE ST 274:2008, SMPTE Standard-1920x1080 Image Sample Structure, Digital Representation and Digital Timing Reference Sequences for Multiple Picture Rates, Jan 2008,
https://ieeexplore.ieee.org/document/7290129

[132]  SMPTE ST 2110-22:2022, SMPTE Standard-Professional Media Over Managed IP Networks:  Constant Bit-Rate Compressed Video, Sept 2022,
https://ieeexplore.ieee.org/document/9893780

[133]  SMPTE ST 2059-2, SMPTE Standard-SMPTE Profile for the use of IEEE-1588 Precision Time Protocol in Professional Broadcast Applications, June 2021,
https://ieeexplore.ieee.org/document/9452731

[134]  IEEE 1588-2019, IEEE Standard for a Precision Clock Synchronization Protocol for Networked Measurement and Control Systems, June 2020,
https://standards.ieee.org/ieee/1588/6825/

[135] Deprecated.  See [126] SMPTE ST 2110-31, SMPTE Standard-Professional Media Over Managed IP Networks: AES3 Transparent Transport, August 2018,

[136]  ANSI/SCTE 135-2 2019, DOCSIS 3.0 Part 2: MAC and Upper Layer Protocols, 2019,

        https://www2.scte.org/SCTEDocs/Standards/ANSI_SCTE 135-02 2019.pdf

[137]         ANSI/SCTE 135-3 2019, DOCSIS 3.0 Part 3:  Security Services, 2019,
https://www.scte.org/standards/library/catalog/scte-135-3-docsis-3-part3-security-services/

[138]  ANSI/SCTE 135-4 2019, DOCSIS 3.0 Part 4: Operations Support Systems Interface,                 2019,

        https://www2.scte.org/SCTEDocs/Standards/ANSI_SCTE 135-4 2019.pdf

[139] ANSI/SCTE 135-5 2022, DOCSIS 3.0 Part 5: CAble Modem to Customer Premise Equipment Interface, 2022, https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_135-5_2022_.pdf

[140]  ANSI/SCTE 220-2 2022 DOCSIS 3.1, Part 2: MAC and Upper Layer Protocols Interface, 2022,  https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-2_2022.pdf 

[141] ANSI/SCTE 220-3 2022 DOCSIS 3.1, PART 3: Cable Modem Operations Support System Interface-Specification, 2022,  
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-2_2022.pdf

[142]  ANSI/SCTE 220-4 2022 DOCSIS 3.1, Part 4: CCAP Operations Support System Interface Specification, 2022,  
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-4_2022.pdf

[143]  ANSI/SCTE 220-5 2016 DOCSIS 3.1, Part 5: Security Specification, 2022,  
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-5_2022.pdf

(End of White Book)


[1] Also published by ITU as ITU-T Recommendation H.264.https://www.itu.int/rec/T-REC-H.264-202108-I/en

[2] Also published by ITU as ITU-T Recommendation H.265: https://www.itu.int/rec/T-REC-H.265-202108-I/en

[3] Also published by ITU as ITU-T Recommendation H.265:2015

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