Ultra HD Forum References
Ultra HD Forum Guidelines
White Book: References
Ultra HD Forum
8377 Fremont Blvd., Suite 117
Fremont, CA 94538
UNITED STATES
VERSION 3.0.0
Apr 7, 2023
1. Foreword
This new version v3 of the Ultra HD Forum Guidelines provides a holistic view of modern media systems, their mechanisms and workflows, and how those are impacted by the latest generation of improvements – the “Ultra HD” technologies, those that take media beyond the limits established at the start of this millennia, characterized in large part by the video resolutions and the dynamic range offered for media in “high definition”, i.e., ITU-R Rec. BT.709. The Forum considers Ultra HD to not only be any UHD media (i.e., 4K resolution, or higher), but also HD-resolution media with enhancements such as High Dynamic Range, Wide Color Gamut, etc. Ultra HD is a constellation of technologies that can provide significant improvements in media quality and audience experience.
This work represents over eight years of collaborative effort. These new books would not have been possible without the leadership of Jim DeFilippis, who represents Fraunhofer and chairs our Guidelines Work Group with invaluable support from the co-chair, Pete Sellar of Xperi as well as technical assistance from Ian Nock of Fairmile West Consulting.
Our gratitude to all the companies listed in the Acknowledgments that have participated in this effort over the years and specifically to Nabajeet Barman (Brightcove), Andrew Cotton (BBC), Jean Louis Diascorn (Harmonic), Richard Doherty (Dolby), Chris Johns (Sky UK), Katy Noland (BBC), Bill Redmann (InterDigital), Chris Seeger (Comcast/NBCUniversal), and Alessandro Travaglini (Fraunhofer).
This document,Guidelines Index and References (Black Book), is one of a series of books, referred to as the Rainbow Books, that compose the Ultra HD Forum Guidelines. If any of these terms sound unfamiliar, follow the link below to the Black Book. If a particular standard is of interest, links such as the one above are available to take you to the White Book, where references are collected.
The Rainbow Books are, in their entirety:
White Book Guidelines Index and References
Red Book Introduction to Ultra HD
Orange Book Foundational Technologies for Ultra HD
Yellow Book Beyond Foundational Technologies
Green Book Ultra HD Distribution
Blue Book Ultra HD Production and Post Production
Indigo Book Ultra HD Technology Implementations
Violet Book Real World Ultra HD
Black Book Terms and Acronyms
Updates in this new version of the Ultra HD Forum Guidelines are described on the following page.
I hope you will enjoy reading today.
If you want to know more about Ultra HD, and join our discussions on how it can be deployed, I invite you to join the Ultra HD Forum. You can start by visiting our website: www.ultrahdforum.org.
Nandhu Nandhakumar, President, Ultra HD Forum
April 2023
1.1 Changes from version 2.6 to 3.0
What’s new in the Spring 2023 version of the UHDF Guidelines Red Book, Guidelines Index and References (v3.0), edited by Jim DeFilippis and Ian Nock.
The Guidelines Index and References is a reference book for the series of Rainbow Books on the Guidelines for Ultra HD. The scope and purpose of this book is to provide an overall table of contents for each book as well as a compilation of all the technical references used throughout the Guidelines.
While most of the information in this edition is material from the previous version of the Guidelines (v2.6), the information has been updated. New references have been added, reference numbers [116] through [135].
We hope this new format will be helpful in understanding UHD technologies as well as planning for new or expanded Ultra HD services.
Jim DeFilippis and Pete Sellar,
Guidelines Working Group Co-Chairs, Ultra HD Forum, April 2023
2. Acknowledgements
We would like to provide the acknowledgement to all the member companies, past and present, of the Ultra HD Forum who have contributed in some small or large part to the body of knowledge that has been contributed to the Guidelines Color Books, including the specific subject of this book.
|
ARRIS |
ATEME |
ATT DIRECTV |
|
British Broadcasting Corporation |
BBright |
Beamr |
|
Brightcove Inc. |
Broadcom |
B<>COM |
|
Comcast / NBC Universal LLC |
Comunicare Digitale |
Content Armor |
|
CTOIC |
Dolby |
DTG |
|
Endeavor Streaming |
Eurofins Digital Testing |
Fairmile West |
|
Fraunhofer IIS |
Harmonic |
Huawei Technologies |
|
InterDigital |
LG Electronics |
Mediakind |
|
MovieLabs |
NAB |
Nagra, Kudelski Group |
|
NGCodec |
Sky UK |
Sony Corporation |
|
Xperi |
Technicolor SA |
Verimatrix Inc. |
|
V-Silicon |
|
|
3. Notice
The Ultra HD Forum Guidelines are intended to serve the public interest by providing recommendations and procedures that promote uniformity of product, interchangeability and ultimately the long-term reliability of audio/video service transmission. This document shall not in any way preclude any member or nonmember of the Ultra HD Forum from manufacturing or selling products not conforming to such documents, nor shall the existence of such guidelines preclude their voluntary use by those other than Ultra HD Forum members, whether used domestically or internationally.
The Ultra HD Forum assumes no obligations or liability whatsoever to any party who may adopt the guidelines. Such an adopting party assumes all risks associated with adoption of these guidelines and accepts full responsibility for any damage and/or claims arising from the adoption of such guidelines.
Attention is called to the possibility that implementation of the recommendations and procedures described in these guidelines may require the use of subject matter covered by patent rights. By publication of these guidelines, no position is taken with respect to the existence or validity of any patent rights in connection therewith. Ultra HD Forum shall not be responsible for identifying patents for which a license may be required or for conducting inquiries into the legal validity or scope of those patents that are brought to its attention.
Patent holders who believe that they hold patents which are essential to the implementation of the recommendations and procedures described in these guidelines have been requested to provide information about those patents and any related licensing terms and conditions.
All Rights Reserved
© Ultra HD Forum 2022
4. Contents
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 11
5.4. Yellow Book: Beyond Foundational Technologies 12
5.5. Green Book: Ultra HD Distribution 13
5.6. Blue Book: Ultra HD Production and Post Production 14
5.7. Indigo Book: Ultra HD Technology Implementations 15
5.8. Violet Book: Real World Ultra HD 19
5.9. Black Book: Terms and Acronyms 20
5. Color Books Index
The Color Book are as follows:
White Book Guidelines Index and References (This document)
Red Book Introduction to Ultra HD
Orange Book Foundational Technologies for Ultra HD
Yellow Book Beyond Foundational Technologies
Green Book Ultra HD Distribution
Blue Book Ultra HD Production and Post Production
Indigo Book Ultra HD Technology Implementations
Violet Book Real World Ultra HD
Black Book Terms and Acronyms
5.1. White Book: Guidelines Index and References
Guidelines Index and References - This document where you can find the view of the content of all Color Books as well as the full list of References used in all the Color Books. A necessary amount of recursion.
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 9
5.3. Orange Book: Foundational Technologies for Ultra HD 9
5.4. Yellow Book: Beyond Foundational Technologies 11
5.5. Green Book: Ultra HD Distribution 13
5.6. Blue Book: Ultra HD Production and Post Production 16
5.7. Indigo Book: Ultra HD Technology Implementations 18
5.8. Violet Book: Real World Ultra HD 22
5.9. Black Book: Terms and Acronyms 24
5.2. Red Book: Introduction to Ultra HD
Introduction to Ultra HD - A general introduction to Ultra HD.
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 10
5.4. Yellow Book: Beyond Foundational Technologies 11
5.5. Green Book: Ultra HD Distribution 14
5.6. Blue Book: Ultra HD Production and Post Production 16
5.7. Indigo Book: Ultra HD Technology Implementations 18
5.8. Violet Book: Real World Ultra HD 22
5.9. Black Book: Terms and Acronyms 24
5.3. Orange Book: Foundational Technologies for Ultra HD
Foundational Technologies for Ultra HD - All about the Foundational Technologies for Ultra HD
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 11
5.4. Yellow Book: Beyond Foundational Technologies 11
5.5. Green Book: Ultra HD Distribution 13
5.6. Blue Book: Ultra HD Production and Post Production 15
5.7. Indigo Book: Ultra HD Technology Implementations 18
5.8. Violet Book: Real World Ultra HD 22
5.9. Black Book: Terms and Acronyms 24
5.4. Yellow Book: Beyond Foundational Technologies
Beyond Foundational Technologies - Going beyond the Foundational Technologies of Ultra HD
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 11
5.4. Yellow Book: Beyond Foundational Technologies 12
5.5. Green Book: Ultra HD Distribution 12
5.6. Blue Book: Ultra HD Production and Post Production 13
5.7. Indigo Book: Ultra HD Technology Implementations 16
5.8. Violet Book: Real World Ultra HD 20
5.9. Black Book: Terms and Acronyms 22
5.5. Green Book: Ultra HD Distribution
Ultra HD Distribution - All about Ultra HD Distribution.
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 11
5.4. Yellow Book: Beyond Foundational Technologies 12
5.5. Green Book: Ultra HD Distribution 13
5.6. Blue Book: Ultra HD Production and Post Production 13
5.7. Indigo Book: Ultra HD Technology Implementations 15
5.8. Violet Book: Real World Ultra HD 19
5.9. Black Book: Terms and Acronyms 21
5.6. Blue Book: Ultra HD Production and Post Production
Ultra HD Production and Post Production - A dive into Production and Post Production of Ultra HD.
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 11
5.4. Yellow Book: Beyond Foundational Technologies 12
5.5. Green Book: Ultra HD Distribution 13
5.6. Blue Book: Ultra HD Production and Post Production 14
5.7. Indigo Book: Ultra HD Technology Implementations 14
5.8. Violet Book: Real World Ultra HD 17
5.9. Black Book: Terms and Acronyms 19
5.7. Indigo Book: Ultra HD Technology Implementations
Ultra HD Technology Implementations - A run through of Ultra HD Technology Implementation.
1.1 Changes from version 2.6 to 3.0 4
7.1.1. Dolby Vision Encoding/Decoding Overview 16
7.1.2. Dolby Vision Cross Compatibility 18
7.1.3. Dolby Vision Color Volume Mapping (Display Management) 18
7.1.4. Dolby Vision in Broadcast 19
7.2. Dual Layer - Scalable High-Efficiency Video Coding (SHVC) 22
8.1.1. Dynamic Range Control (DRC) and Loudness 56
8.1.3. Backward Compatibility 58
8.1.4. Next Generation Audio Metadata and Rendering 58
8.1.5. Overview of Immersive Program Metadata and rendering 59
8.1.5.1. Object-based Audio Rendering 59
8.1.5.2. Rendering-control metadata 62
8.1.6. Overview of Personalized Program Metadata 64
8.1.6.1. Presentation Metadata 64
8.1.7. Essential Metadata Required for Next-Generation Broadcast 65
8.1.7.1. Intelligent Loudness Metadata 65
8.1.7.2. Personalized Metadata 67
8.1.7.3. Object Audio Metadata 67
8.1.8.1. File-based carriage of Object- and Channel-based Audio with metadata 70
8.1.8.2. Real-time carriage of Object- and Channel-based Audio with metadata 71
8.2.3.1. Sync and Non-Sync Frames 77
8.2.4.2. Dynamic Range Control and Personalization 79
8.2.4.3. Metadata Chunk CRC Word 79
8.2.6. Organization of Streams 81
8.2.6.1. Objects, Object Groups, Presentations 81
8.2.6.2. Properties of Objects 81
8.2.6.3. Properties of Object Groups 81
8.2.6.4. Audio Presentations and Rendering 82
8.2.7. Multi-Stream Playback 85
8.3.1.1. Personalization and Interactivity 92
8.3.1.2. Universal delivery 93
8.3.1.4. Distributed User Interface Processing 94
8.3.2. MPEG-H Audio Metadata 95
8.3.2.1. Metadata Structure 96
8.3.2.3. Personalization Use Case Examples 98
8.3.3.1. Random Access Point 102
8.3.3.2. Configuration Changes and A/V Alignment 102
9.1. ACES Workflow for Color and Dynamic Range 106
9.2. IP-based Workflow – SMPTE ST 2110 108
9.3. NBCU Single-Master HDR-SDR Workflow Recommendations 115
9.3.2. “Single-Stream” HDR-SDR Workflow Guide 115
9.3.2.1. Signal Flow from Production to Distribution 115
9.3.2.2. Basic Shading and Video Monitoring Practices 117
9.3.3.2. Cross-Conversion HDR LUTs 120
9.3.3.3. NBCU Strategy on HDR/SDR Conversion LUTs 121
9.3.3.4. 3D Cube Look-Up Tables (3D-LUT) 124
9.3.3.6. 3D LUT Interpolation Modes 127
9.3.4.1. Settings and Setup 129
9.3.4.2. HDR Camera Level Settings 130
9.3.4.3. SDR Camera Level Settings 130
9.3.4.4. Monitor Graphic Video Levels 130
9.3.4.5. Monitoring SDR Output Down-Mapped Quality 131
9.3.5. Production and Distribution Detail 131
9.3.5.1. HLG for Production 131
9.3.5.2. PQ for Distribution 131
9.3.6. Waveform Monitor References 133
9.3.7. Color Conversion Accuracy Analysis 141
9.3.7.1. NBCU LUT 1: SDR to HDR Conversion 142
9.3.7.2. NBCU LUT 3 and 5: HDR to SDR Conversion 143
9.3.7.3. NBCU LUT 7C: HLG to PQ Conversion 144
9.3.7.4. Testing Signal Pass-thru using ∆E-ITP 145
9.3.8. Signal Level Relationships During Conversions 145
9.3.8.1. Signal Level Relationships Between HDR and SDR 145
9.3.8.2. SDR to HLG to SDR Roundtrip Signal Mapping 146
9.3.8.3. PQ Mappings, SDR to PQ to SDR 147
9.3.8.4. HLG to PQ Level Mappings 149
9.3.8.5. Production Levels Mappings 150
9.3.9. ITU-R BT.2408 Workflow Adapted for NBCU 153
9.3.10. BT.2408 Conversion Details 154
9.3.10.1. Display Light Conversion, SDR to HDR 154
9.3.10.2. Scene Light Conversion, SDR to HDR 154
9.3.10.3. HLG to PQ Conversion, Production to Transmission 155
9.3.11. References and Acronyms 155
9.3.11.2. Definitions and Acronyms 155
9.3.11.3. Reference Files, Tools and Test Patterns 156
10. Monographs on Encoding 157
(reserved for future encoding technologies) 157
11. Monographs on Distribution 158
11.1.4. ATSC 3.0 and OTT services 163
11.2. Brazilian Roadmap to UHD 164
11.2.1. Why the “TV 2.5” Approach? 164
11.2.2.1. Rede Amazônica started TV 2.5 regular broadcast with MPEG-H Audio 165
11.2.4. Brazil Adopts TV 3.0 169
11.3.2. Global Deployment of Second Generation DTT 173
11.3.4. Suitability for UHD 174
11.3.6. Additional DVB-T2 References 178
5.8. Violet Book: Real World Ultra HD
Real World Ultra HD - Going into the Real World with Ultra HD.
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 11
5.4. Yellow Book: Beyond Foundational Technologies 12
5.5. Green Book: Ultra HD Distribution 13
5.6. Blue Book: Ultra HD Production and Post Production 14
5.7. Indigo Book: Ultra HD Technology Implementations 15
5.8. Violet Book: Real World Ultra HD 19
5.9. Black Book: Terms and Acronyms 19
5.9. Black Book: Terms and Acronyms
Terms and Acronyms - A full list of Terms of Acronyms used in the Color Books.
1.1 Changes from version 2.6 to 3.0 4
5.1. White Book: Guidelines Index and References 9
5.2. Red Book: Introduction to Ultra HD 10
5.3. Orange Book: Foundational Technologies for Ultra HD 11
5.4. Yellow Book: Beyond Foundational Technologies 12
5.5. Green Book: Ultra HD Distribution 13
5.6. Blue Book: Ultra HD Production and Post Production 14
5.7. Indigo Book: Ultra HD Technology Implementations 15
5.8. Violet Book: Real World Ultra HD 19
5.9. Black Book: Terms and Acronyms 20
6. Reference List
The references defined here are all provided with unique reference number, reference title which will be explanatory about the nature of the reference, some codification of the specific version or variant of the reference and shall also provide the updated link to the specific reference.
[1] Recommendation ITU-T H.222.0 | ISO/IEC
13818-1:2021, “Information Technology—Generic coding of moving pictures and associated audio
information - Part 1: Systems”, June 2021,
https://www.itu.int/rec/T-REC-H.222.0-202106-I/en
[2] Recommendation ITU-R BT.709-6:2015,
“Parameter values for the HDTV standards for production and international programme exchange”,
July 2015,
https://www.itu.int/rec/R-REC-BT.709-6-201506-I/en
[3] Recommendation ITU-R BT.2020:2015,
“Parameter values for ultra-high definition television systems for production and international
programme exchange”, Oct 2015,
ec/R-REC-BT.2020-2-201510-I/en
[4] Recommendation ITU-R BT.1886:2011,
“Reference electro-optical transfer function for flat panel displays used in HDTV studio
production”, March 2011,
https://www.itu.int/dms_pubrec/itu-r/rec/bt/R-REC-BT.1886-0-201103-I!!PDF-E.pdf
[5] Recommendation ITU-R BT.2100, “Image parameter values for high dynamic range television for use in production and international programme exchange”, July 2018, http://www.itu.int/rec/R-REC-BT.2100
[6] Report ITU-R BT.2390-2, “High dynamic range television for production and international programme exchange”, https://www.itu.int/pub/R-REP-BT.2390-2016 (companion report to ITU-R Recommendation BT.2100)
[7] Recommendation ITU-R BT.2087-0:2015,
“Colour conversion from ITU-R BT.709 to ITU-RBT.2020”, Oct 2015,
https://www.itu.int/rec/R-REC-BT.2087/en
[8] Recommendation ITU-R BT.2408-5:2022,
“Operational Practices in HDR Television Production”, Mar 2022,
https://www.itu.int/pub/R-REP-BT.2408-5-2022
[9] SMPTE ST 2084:2014, “High Dynamic Range
Electro-Optical Transfer Function of Mastering Reference Displays”, Aug 2014,
https://ieeexplore.ieee.org/document/7291452
[10] SMPTE ST 2086:2018, “Mastering Display
Color Volume Metadata Supporting High Luminance and Wide Color Gamut Images”, April 2018,
https://ieeexplore.ieee.org/document/8353899
[11] SMPTE Study Group report, High Dynamic Range
(HDR) Ecosystem, Sept 19, 2015,
https://www.murideo.com/uploads/5/2/9/0/52903137/study_group_on_high-dynamic-range-hdr-ecosystem.pdf
[12] DVB UHD-1 Phase 1
specification, ETSI
TS 101 154 v2.1.1:2015, “Specification for the use of Video and Audio Coding in Broadcasting
Applications based on MPEG-2 Transport Stream”, Mar 2015,
http://www.etsi.org/deliver/etsi_ts/101100_101199/101154/02.01.01_60/ts_101154v020101p.pdf
[13] DVB DASH specification, ETSI TS 103 285
v1.3.1:2020, “MPEG-DASH Profile for Transport of ISO BMFF Based DVB Services over IP Based
Networks”, Feb 2020,
https://www.etsi.org/deliver/etsi_ts/103200_103299/103285/01.03.01_60/ts_103285v010301p.pdf
[14] Recommendation ITU-R BT.814-4:2018,
“Specifications of PLUGE test signals and alignment procedures for setting of brightness and contrast
of displays”, July 2018,
https://www.itu.int/rec/R-REC-BT.814-4-201807-I/en
[15] HDMI 2.1 specification(note: Specification available to Adopters only) https://www.hdmi.org/spec/hdmi2_1
[16] DASH-IF Interoperability Points: Guidelines
for Implementation, version 4.3, November 2018,
https://dashif.org/docs/DASH-IF-IOP-v4.3.pdf
[17] DCI Specification, Version 1.2 with Errata
as of 30 August 2012 Incorporated, October 2012,
https://www.dcimovies.com/archives/spec_v1_2_With_Errata_Incorporated/DCI_DCSS_v12_with_errata_2012-1010.pdf
[18] CTA-608-E S-2019, “Line 21 Data
Services”, Dec
2019,
https://shop.cta.tech/products/line-21-data-services#:~:text=ANSI%2FCTA%2D608%2DE%20S%2D2019%20is%20a,of%20the%20NTSC%20video%20signal.
[19] ANSI/CTA-708-E S-2023, “Digital
Television (DTV) Closed Captioning”, Aug 2013,
https://shop.cta.tech/products/digital-television-dtv-closed-captioning
[20] ETSI 300 743, “Digital Video Broadcasting (DVB); Subtitling systems”, v1.3.6, Nov 2006, http://www.etsi.org/deliver/etsi_en/300700_300799/300743/01.03.01_60/en_300743v010301p.pdf
[21] ETSI 300 472, ”Digital Video Broadcasting (DVB); Specification for conveying ITU-R System B Teletext in DVB bitstreams”, v1.3.1, May 2003, http://www.etsi.org/deliver/etsi_en/300400_300499/300472/01.03.01_60/en_300472v010301p.pdf
[22] ANSI/SCTE-27 2016 (R2021), “Subtitling
Methods for Broadcast Cable”, 2021,
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_27_2016_R2021.pdf
[23] W3C Recommendation: “TTML Text and
Image Profiles for Internet Media Subtitles and Captions (IMSC1)”, v1.01, April 2018,
https://www.w3.org/TR/ttml-imsc1.0.1/
[24] ATSC: “Techniques for Establishing and Maintaining Audio Loudness for Digital Television,” Doc. A/85, Advanced Television Systems Committee, Washington, D.C., 12 March 2013, http://atsc.org/recommended-practice/a85-techniques-for-establishing-and-maintaining-audio-loudness-for-digital-television/
[25] ISO/IEC: Doc. ISO/IEC 14496-10:2022,
“MPEG-4 -- Part 10: Advanced Video Coding”[1]
, Nov 2022,
https://www.iso.org/standard/83529.html
[26] ISO/IEC: Doc. ISO/IEC 23008-2:2020
“Information technology -- High efficiency coding and media delivery in heterogeneous environments --
Part 2: High efficiency video coding”[2],
Aug 2020,
https://www.iso.org/standard/75484.html
[27] ISO/IEC 14496-3:2019, “Informational
Technology, Coding of Audio-Visual objects, Part 3: Audio”, Dec 2019,
https://www.iso.org/standard/76383.html
[28] ISO/IEC 14496-12:20120, "Information
technology—Coding of audio-visual objects—Part 12: ISO base media file format”, Dec
2020,
https://www.iso.org/standard/74428.html
[29] ETSI 102 366 v1.4.1 (2017-09),
“Digital Audio Compression (AC-3, Enhanced AC-3) Standard”, Sept 2009,
https://www.etsi.org/deliver/etsi_ts/102300_102399/102366/01.04.01_60/ts_102366v010401p.pdf
[30] SMPTE RP 431-2:2011, “D-Cinema Quality
— Reference Projector and Environment", April 2011,
https://ieeexplore.ieee.org/document/7290729
[31] CTA 861-H,
“A DTV Profile for Uncompressed High Speed Digital Interfaces”, Jan 2021,
https://www.cta.tech/SearchResults?search=CTA+861
[32] W3C: “HTML5, A vocabulary and associated APIs for HTML and XHTML” https://www.w3.org/TR/html5/
[33] ETSI TS 103 433-1 v1.2.1 (2016-08) "High-Performance Single Layer Directly Standard Dynamic Range (SDR) Compatible High Dynamic Range (HDR) System for use in Consumer Electronics devices (SL-HDR1)", http://www.etsi.org/deliver/etsi_ts/103400_103499/10343301/01.02.01_60/ts_10343301v010201p.pdf
[34] ETSI TS 103 433-2 v1.1.1 (2018-01) “High-Performance Single Layer High Dynamic Range (HDR) System for use in Consumer Electronics devices; Part 2: Enhancements for Perceptual Quantization (PQ) transfer function based High Dynamic Range (HDR) Systems (SL-HDR2)”, https://www.etsi.org/deliver/etsi_ts/103400_103499/10343302/01.01.01_60/ts_10343302v010101p.pdf
[35] ETSI TS 103 420 v1.2.1
(2018-10), “Object-based audio coding for Enhanced AC-3 (E-AC-3)”.
https://www.etsi.org/deliver/etsi_ts/103400_103499/103420/01.02.01_60/ts_103420v010201p.pdf
df[36] SMPTE ST
337:2015, “Format for Non-PCM Audio and Data in AES 3 Serial Digital Audio
Interface”
https://ieeexplore.ieee.org/document/7291671
[37] Recommendation ITU-R BS.1770-4,
“Algorithms to measure audio programme loudness and true-peak audio level”, October
2015.
https://www.itu.int/rec/R-REC-BS.1770-4-201510-I/en
[38] SMPTE ST 2067-21:2020,
“Interoperable Master Format — Application #2E,”
2016
https://ieeexplore.ieee.org/document/9097487
[39] MovieLabs, “MovieLabs Specification for Enhanced Content Protection, v1.3”, Dec 2020. https://movielabs.com/ngvideo/MovieLabs_ECP_Spec_v1.3.pdf
[40] ISO/IEC 23001-12:2015,
“Information technology -- MPEG systems technologies - Part 12: Sample Variants in the ISO base media
file format”
https://www.iso.org/standard/67077.html
[41] ETSI TS 102 034 v2.1.1
(2016-04), “Transport of MPEG-2 TS Based DVB Services over IP Based
Networks”
https://www.etsi.org/deliver/etsi_ts/102000_102099/102034/02.01.01_60/ts_102034v020101p.pdf
[42] Internet Engineering Task Force (IETF) RFC 3550, “RTP: A Transport Protocol for Real-Time Applications”, https://www.ietf.org/rfc/rfc3550.txt
[43] SMPTE ST 2110-10:2017,
“Professional Media over IP Networks: System Timing and
Definitions”
https://ieeexplore.ieee.org/document/8165974
[44] SMPTE ST 2110-20:2017,
“Professional Media over IP Networks: Uncompressed Active Video”
https://ieeexplore.ieee.org/document/8167389
[45] SMPTE ST 2110-21:2022,
“Professional Media over IP Networks: Traffic Shaping and Delivery Timing for
Video”
https://ieeexplore.ieee.org/document/9973262
[46] SMPTE ST 2110-30:2017,
“Professional Media over IP Networks: PCM Digital Audio”
https://ieeexplore.ieee.org/document/8167392
[47] SMPTE ST 2110-40:2018,
“Professional Media over IP Networks: SMPTE ST 291-1 Ancillary
Data”
https://ieeexplore.ieee.org/document/8353279
[48] SMPTE ST 2108-1:2018,
“HDR/WCG Metadata Packing and Signaling in the Vertical Ancillary Data
Space”
https://ieeexplore.ieee.org/document/8471270
[49] OpenCable Specifications, OC-SP-EP-I01-130118: “Encoder Boundary Point Specification” (01/2013). https://apps.cablelabs.com/specification/encoder-boundary-point-specification/
[50] SMPTE ST 2065-1:2012,
“Academy Color Encoding Specification (ACES)”
https://ieeexplore.ieee.org/document/9343931
[51] ATSC: A/300:2022-4, “ATSC 3.0
System”, April 2022,
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/04/A300-2022-04-ATSC-3-System-Standard.pdf
[52] ATSC: A/322:2022, “Physical Layer Protocol”, March 31 2022, https://www.atsc.org/wp-content/uploads/2016/10/A322-2017a-Physical-Layer-Protocol.pdf
[53] ATSC:
A/331:2023-02, “, “Signaling, Delivery, Synchronization, and Error
Protection”, February 2023,
https://prdatsc.wpenginepowered.com/wp-content/uploads/2023/02/A331-2023-02-Signaling-Delivery-Sync-FEC.pdf
[54] ATSC:
A/341:2022-09, “Video-HEVC”, Sept 2022,
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/09/A341-2022-09-Video-HEVC.pdf
[55] ATSC: A/342-1:2022-03, “Audio Common
Elements”, March 2022,
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/04/A342-1-2022-03-Audio-Common-Elements.pdf
[56] ATSC:
A/342-2:2022-03, “AC-4 System”, March 2022,
https://prdatsc.wpenginepowered.com/wp-content/uploads/2022/04/A342-2-2022-03-AC4-System.pdf
[57] ATSC:
A/342-3:2022-3, “MPEG-H System”, March 2022,
https://www.atsc.org/wp-content/uploads/2022/04/A342-3-2022-03-MPEG-System.pdf
[58] CableLabs OC-TR-IP-MULTI-ARCH-C01-161026:2016, “IP Multicast Adaptive Bit Rate Architecture Technical Report”, November 26, 2016, https://community.cablelabs.com/wiki/plugins/servlet/cablelabs/alfresco/download?id=77eb9e28-c7ed-491a-98ba-f20507eb223e
[59] DASH-IF: “Guidelines for Implementation: DASH-IF Interoperability Points for ATSC 3.0, Version 1.1,” DASH Interoperability Forum”, June 2018, https://dashif.org/docs/DASH-IF-IOP-for-ATSC3-0-v1.1.pdf
[60] DVB: A168:2019, “MPEG-DASH Profile for Transport of ISO BMFF Based DVB Services over IP Based Networks”, October 2019, https://dvb.org/wp-content/uploads/2019/12/a168_dvb_mpeg-dash_oct_2019.pdf
[61] EBU Tech 3364, “Audio Definition Model Metadata Specification Ver. 2.0”, June 2018, https://tech.ebu.ch/docs/tech/tech3364.pdf
[62] EBU R 128, “Loudness Normalisation and Permitted Maximum Level of Audio Signals”, June 2022, https://tech.ebu.ch/docs/r/r128.pdf
[63] ETSI TS 101 154 v2.4.1 (2018-02), “Digital Video Broadcasting (DVB); Specification for the use of Video and Audio Coding in Broadcasting”, February 14, 2018, https://www.etsi.org/deliver/etsi_ts/101100_101199/101154/02.04.01_60/ts_101154v020401p.pdf
[64] ETSI TS 102 366 Annex H, “Digital Audio Compression (AC-3, Enhanced AC-3) Standard”, August 20, 2008, http://www.etsi.org/deliver/etsi_ts/102300_102399/102366/01.02.01_60/ts_102366v010201p.pdf
[65] ETSI TS 103 190-2 (2015-09), “Digital Audio Compression (AC-4) Standard Part2: Immersive and personalized audio”, September 25, 2015, http://www.etsi.org/deliver/etsi_ts/103100_103199/10319002/01.01.01_60/ts_10319002v010101p.pdf
[66] ETSI GS CCM 001 (2017-02), “Compound Content Management v1.1.1”, February 8, 2017, http://www.etsi.org/deliver/etsi_gs/CCM/001_099/001/01.01.01_60/gs_ccm001v010101p.pdf
[67] APPLE “HLS Authoring Specification for Apple Devices”, April 9, 2017, https://developer.apple.com/library/content/documentation/General/Reference/HLSAuthoringSpec/Requirements.html
[68] ISO/IEC: 14496-12, “Information technology—Coding of audio-visual objects—Part 12: ISO base media file format”, December 2015, https://www.iso.org/standard/68960.html
[69] ISO/IEC: 23008-2, “Information technology -- High efficiency coding and media delivery in heterogeneous environments -- Part 2: High efficiency video coding”, May 2015, https://www.iso.org/standard/67660.html[3]
[70] ISO/IEC: 23008-3, "Information technology – High efficiency coding and media delivery in heterogeneous environments – Part 3: 3D audio", October 2015, https://www.iso.org/standard/63878.html; including ISO/IEC: 23008-3:2015/Amd 2:2016, "MPEG-H 3D Audio File Format Support ", September 2016, https://www.iso.org/standard/68592.html and ISO/IEC: 23008-3:2015/Amd 3:2017, "MPEG-H 3D Audio Phase 2", January 2017, https://www.iso.org/standard/69561.html
[71] ITU-R BS.1771, “Requirements for loudness and true-peak indicating meters”, January 2012, https://www.itu.int/dms_pubrec/itu-r/rec/bs/R-REC-BS.1771-1-201201-I!!PDF-E.pdf
[72] ITU-R BS.2076-2, “Audio Definition Model”, Oct 2019, https://www.itu.int/rec/R-REC-BS.2076-2-201910-I/en
[73] ITU-R BS.2088-1, “Long-form file
format for the international exchange of audio programme materials with metadata”, October
2019,
https://www.itu.int/rec/R-REC-BS.2088/en
[74] ITU-R BR.1352-3, “File format for the exchange of audio program materials with metadata on information technology media”, January 11, 2008, https://www.itu.int/dms_pubrec/itu-r/rec/br/R-REC-BR.1352-3-200712-W!!PDF-E.pdf
[75] ITU-R BT.1886, “Reference
electro-optical transfer function for flat panel displays used in HDTV studio production”, March
2011,
https://www.itu.int/dms_pubrec/itu-r/rec/bt/R-REC-BT.1886-0-201103-I!!PDF-E.pdf
[76] Report ITU-R BT.2390-3, “High dynamic range television for production and international programme exchange”, October 2017, https://www.itu.int/dms_pub/itu-r/opb/rep/R-REP-BT.2390-3-2017-PDF-E.pdf
[77] SCTE: 135-1:2018,
“Data-Over-Cable Service Interface Specification version 3.0”, 2018,
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE20135-01202018.pdf
[78] SCTE 242-3:2022, “Next Generation Audio Coding Constraints for Cable Systems: Part 3 –MPEG-H Audio Coding Constraints”, 2022, https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_243-3_2022.pdf
[79] SMPTE ST 424:2012, “3 Gb/s Signal/Data Serial Interface”, October 8, 2012, https://ieeexplore.ieee.org/document/7290519
[80] SMPTE ST 425-1:2017, “Source Image
Format and Ancillary Data Mapping for the 3 Gb/s Serial Interface”, November 1, 2017,
https://ieeexplore.ieee.org/document/8113731
ST 425-3:2019, “Image Format and Ancillary Data Mapping for the Dual Link 3Gb/s Serial Interface”, May 2019,https://ieeexplore.ieee.org/document/8716816 ; and
ST 425-5:2019, “Image Format and Ancillary Data Mapping for the Quad Link 3Gb/s Serial Interface”, May 2019,https://ieeexplore.ieee.org/document/8716813
[81] SMPTE ST 2022-2:2007, “Unidirectional Transport of Constant Bit Rate MPEG-2 Transport Streams on IP Networks”, May 24, 2007, http://ieeexplore.ieee.org/servlet/opac?punumber=7291738
[82] SMPTE ST 2022-6:2012, “Transport of High Bit Rate Media Signals over IP Networks (HBRMT)”, October 9, 2012, http://ieeexplore.ieee.org/servlet/opac?punumber=7289941
[83] SMPTE ST 2081-10:2018, “2160-line and 1080-line Source Image and Ancillary Data Mapping for 6G-SDI”, March 12, 2018, http://ieeexplore.ieee.org/servlet/opac?punumber=8320053
[84] SMPTE ST 2082-10:2018, “2160-line and 1080-line Source Image and Ancillary Data Mapping for 12G-SDI”, March 12, 2018, http://ieeexplore.ieee.org/servlet/opac?punumber=8320050
[85] SMPTE ST 2094-1:2016, “Dynamic Metadata for Color Volume Transform – Core Components”, June 13, 2016, http://ieeexplore.ieee.org/servlet/opac?punumber=7513359
[86] SMPTE ST 2094-10:2016, “Dynamic Metadata for Color Volume Transform – Application #1”, June 13, 2016, http://ieeexplore.ieee.org/servlet/opac?punumber=7513368
[87] TTA: TTAK-KO-07.0127R1:2016,
“Transmission and Reception for Terrestrial UHDTV Broadcasting Service”, December 27,
2016,
http://www.tta.or.kr/include/Download.jsp?filename=stnfile/TTAK.KO-07.0127_R1.pdf
[88] EBU Tech Report 038, March 2017, “Subjective evaluation of HLG for HDR and SDR distribution” https://tech.ebu.ch/publications/tr038
[89] EBU Recommendation 129, November 2018, “Advice to Broadcasters on Avoiding Image Retention on TV Production Displays”, https://tech.ebu.ch/docs/r/r129.pdf
[90] Dolby Vision Profiles and Levels, v1.3.3,
November, 2019,
http://dev-qiyun.club/media/DolbyVisionProfilesLevels.pdf
[91] ETSI TS 103 491 v1.2.1 (2019-05) DTS-UHD
Audio Format: Delivery of Channels, Objects and Ambisonic Sound Fields, May 2019,
https://www.etsi.org/deliver/etsi_ts/103400_103499/103491/01.02.01_60/ts_103491v010201p.pdf
[92] ETSI TS 101 154 v2.6.1 (2019-09),
“Digital Video Broadcasting (DVB); Specification for the use of Video and Audio Coding in Broadcasting
Application based on the MPEG-2 Transport Stream”, September 2019,
https://www.etsi.org/deliver/etsi_ts/101100_101199/101154/02.06.01_60/ts_101154v020601p.pdf
[93] ANSI/SCTE 242-4 2018, Next Generation Audio
Coding Constraints for Cable Systems: Part 4 – DTS-UHD Audio Coding Constraints,
https://www.scte.org/standards/library/catalog/scte-242-4-next-generation-audio-coding-constraints-for-cable-systems-part4/
[94] ANSI/SCTE 243-4 2018, Next Generation Audio
Carriage Constraints for Cable Systems: Part 4 – DTS-UHD Audio Carriage Constraints,
https://www.scte.org/standards/library/catalog/scte-242-4-next-generation-audio-coding-constraints-for-cable-systems-part4/
[95] Deprecated. See [8] ITU report BT.2408-2 “Guidance for operational practices in HDR television production” (04/2019), https://www.itu.int/pub/R-REP-BT.2408
[96] Deprecated. See [77] ANSI/SCTE 135-1 2019
[97] ANSI/SCTE 220-1 2022, “DOCSIS 3.1 Part
1: Physical Layer Specification”, 2022,
https://webstore.ansi.org/standards/scte/ansiscte2202022
[98] ETSI EN 302 769 v1.1.1 (2010-04),
“Digital Video Broadcasting (DVB); Frame structure channel coding and modulation for a second
generation digital transmission system for cable systems (DVB-C2)”,
https://www.etsi.org/.../en_302769v010101p.pdf
[99] SMPTE ST 292-1:2018 1.5 Gb/s Signal/Data
Serial Interface
https://ieeexplore.ieee.org/document/8353270
[100] R. W. G. Hunt, "Light and Dark Adaptation and the Perception of Color*," J. Opt. Soc. Am. 42, 190-199 (1952), https://www.osapublishing.org/josa/abstract.cfm?uri=josa-42-3-190
[101] J.C. Stevens and S.S. Stevens,
“Brightness Function: Effects of Adaptation,” J. Opt. Soc. Am. 53, 375-385
(1963),
https://doi.org/10.1364/JOSA.53.000375
[102] J. Kautz, H. Kim, T. Weyrich, “Modeling Perception under Extended Luminance Levels”, ACM TOG, Vol 28 Issue 3, August 2009, https://dl.acm.org/citation.cfm?id=1531333
[103] T. Borer, “Display of High Dynamic Range Images Under Varying Viewing Conditions,” Proc. SPIE 10396, Applications of Digital Image Processing XI, 103960H, September 2017, https://www.spiedigitallibrary.org/conference-proceedings-of-spie/10396/2274253/Display-of-high-dynamic-range-images-under-varying-viewing-conditions/10.1117/12.2274253.short
[104] CTA 861.4, “Updates to Dynamic HDR Metadata Signaling”, March 2019, https://members.cta.tech/ctaPublicationDetails/?id=83193112-294f-e911-867a-0003ff528858
[105] ARIB STD-B67 Version 2.0, “Parameter
Values for the Hybrid Log-Gamma (HLG) High Dynamic Range Television (HDR-TV) System for Programme
Production”, January 2018,
https://www.arib.or.jp/english/std_tr/broadcasting/std-b67.html
[106] EBU R 103, “Video signal tolerance in
Digital Television Systems”, Version 3.0, June 2020,
https://tech.ebu.ch/docs/r/r103.pdf
[107] ITU-R BT.2124, “Objective metric for the assessment of the potential visibility of colour differences in television”, January 2019, https://www.itu.int/rec/R-REC-BT.2124-0-201901-I/en
[108] CTA 5001-A, “Web Application Video Ecosystem-Content Specification”, December 2018, https://cdn.cta.tech/cta/media/media/resources/standards/pdfs/cta-5001-a-final.pdf
[109] Apple, “About the Common Media Application Format with HTTP Live Streaming”, 2020, https://developer.apple.com/documentation/http_live_streaming/about_the_common_media_application_format_with_http_live_streaming
[110] SMPTE ST 2108-2:2019, “Vertical Ancillary Data Mapping of KLV Formatted HDR/WCG Metadata”, 2019, https://ieeexplore.ieee.org/servlet/opac?punumber=8809960
[111] ETSI TS 102 114 v1.6.1 (2019-08), “DTS Coherent Acoustics; Core and Extensions with Additional Profiles”, August 2, 2019, https://www.etsi.org/deliver/etsi_ts/102100_102199/102114/01.06.01_60/ts_102114v010601p.pdf
[112] ISO/IEC: 14496-15, “Information
technology – Coding of audio-visual objects—Part 15: Carriage of network abstraction layer (NAL)
unit structured video in the ISO base media file format”, September, 2019,
https://www.iso.org/standard/74429.html
[113] Recommendation ITU-R BT.2124, “Objective metric for the assessment of the potential visibility of colour differences in televisions”, Jan 2019, http://www.itu.int/rec/R-REC-BT.2124
[114] Recommendation ITU-T H.273: 2021 | ISO/IEC 23091-2:2019, “Coding-independent code points for video signal type identification”, July 2021, https://www.itu.int/rec/T-REC-H.273/en
[115] CTA-5005, “Web Application Video –Ecosystem—DASH-HLS Interoperability Specification”, May 2021. /web-application-video-ecosystem-dash-hls-interoperability-specification-cta-5005
[116] ISO/CIE 11664-5:2016,
“Colorimetery-Part 5: CIE 1976 L*u*v* colour space and u’,v’ uniform chromaticity scale
diagram”, 2016,
https://www.iso.org/standard/69034.html
[117] General Administration of Quality Supervision, Inspection and Quarantine (GAQSIQ) GB/T 33475.2-2016 “Information Technology - High Efficient Media Coding - Part 2: Video”
[118] State Administration of Press, Publication, Radio, Film and Television (SAPPRFT) GY/T 299.102016 “High Efficiency Coding of Audio and Video - Part 1: Video”
[119] IEEE 1857.4-2018 “IEEE Approved Draft Standard for 2nd Generation IEEE 1857 Video
Coding”, August 2019,
https://standards.ieee.org/ieee/1857.4/5817/
[120] GAQSIQ GB/T 20090.16-2016 “Information Technology - Advanced Audio and Video Coding Part 16: Radio and Television Video”
[121] GAQSIQ GB/T 20090.2-2006 “Advanced Video and Audio Coding for Information Technology Part 2: Video”
[122] IEEE 1857-2013 “IEEE Standard for Advanced Audio and Video Coding”, 2013,
https://www.techstreet.com/ieee/standards/ieee-1857-2013?gateway_code=ieee&vendor_id=5446&product_id=1858370
[123] Recommendation ITU-R BS.2125 “A
serial representation of the Audio Definition Model”,
April 2020,
https://www.itu.int/rec/R-REC-BS.2125-0-201901-I
[124] SMPTE ST 2116:2019, “Format for
Non-PCM Audio and Data in AES3 —
Carriage of
Metadata of Serial ADM (Audio Definition Model)”, Jan 2020,
https://ieeexplore.ieee.org/document/8984678
[125] SMPTE RDD 33:2015, “Format for
Non-PCM Audio and Data in AES3 —
Dolby-E
® Data Type”, May 2015,
https://ieeexplore.ieee.org/document/8984678
[126] SMPTE ST
2110-31:2022, ,SMPTE Standard – Professional Media Over
Managed IP
Networks: AES3 Transparent Transport, Nov 2022,
https://ieeexplore.ieee.org/document/9973250
[127] SMPTE ST 2109:2019, SMPTE
Standard – Format for Non-PCM Audio and Data in AES3 – Audio Metadata, August
2019,
https://ieeexplore.ieee.org/document/8809434
[128] Report ITU-R BT.2446-1, “Methods for conversion of high dynamic range content to standard dynamic range content and vice-versa”, March 2021, https://www.itu.int/dms_pub/itu-r/opb/rep/R-REP-BT.2446-1-2021-PDF-E.pdf
[129] Recommendation ITU-R BS.2051-3, “Advanced sound system for programme
production”, June 2022,
https://www.itu.int/rec/R-REC-BS.2051-3-202205-I/en
[130] Report ITU-R BT.2246-7, “The present state of ultra-high definition
television”, Oct 2020,
https://www.itu.int/pub/R-REP-BT.2246-7-2020
[131] SMPTE ST 274:2008, SMPTE Standard-1920x1080 Image Sample Structure, Digital
Representation and Digital Timing Reference Sequences for Multiple Picture Rates, Jan 2008,
https://ieeexplore.ieee.org/document/7290129
[132] SMPTE ST 2110-22:2022, SMPTE Standard-Professional Media Over Managed IP
Networks: Constant Bit-Rate Compressed Video, Sept 2022,
https://ieeexplore.ieee.org/document/9893780
[133] SMPTE ST 2059-2, SMPTE Standard-SMPTE Profile for the use of IEEE-1588 Precision
Time Protocol in Professional Broadcast Applications, June 2021,
https://ieeexplore.ieee.org/document/9452731
[134] IEEE 1588-2019, IEEE Standard for a Precision Clock Synchronization Protocol for
Networked Measurement and Control Systems, June 2020,
https://standards.ieee.org/ieee/1588/6825/
[135] Deprecated. See [126] SMPTE ST 2110-31, SMPTE Standard-Professional Media Over Managed IP Networks: AES3 Transparent Transport, August 2018,
[136] ANSI/SCTE 135-2 2019, DOCSIS 3.0 Part 2: MAC and Upper Layer Protocols, 2019,
https://www2.scte.org/SCTEDocs/Standards/ANSI_SCTE 135-02 2019.pdf
[137] ANSI/SCTE 135-3 2019, DOCSIS 3.0 Part
3: Security Services, 2019,
https://www.scte.org/standards/library/catalog/scte-135-3-docsis-3-part3-security-services/
[138] ANSI/SCTE 135-4 2019, DOCSIS 3.0 Part 4: Operations Support Systems Interface, 2019,
https://www2.scte.org/SCTEDocs/Standards/ANSI_SCTE 135-4 2019.pdf
[139] ANSI/SCTE 135-5 2022, DOCSIS 3.0 Part 5: CAble Modem to Customer Premise Equipment Interface, 2022, https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_135-5_2022_.pdf
[140] ANSI/SCTE 220-2 2022 DOCSIS 3.1, Part 2: MAC and Upper Layer Protocols
Interface, 2022, https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-2_2022.pdf
[141] ANSI/SCTE 220-3 2022 DOCSIS 3.1, PART 3: Cable Modem Operations Support System
Interface-Specification, 2022,
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-2_2022.pdf
[142] ANSI/SCTE 220-4 2022 DOCSIS 3.1, Part 4: CCAP Operations Support System
Interface Specification, 2022,
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-4_2022.pdf
[143] ANSI/SCTE 220-5 2016 DOCSIS 3.1, Part 5: Security Specification, 2022,
https://wagtail-prod-storage.s3.amazonaws.com/documents/ANSI_SCTE_220-5_2022.pdf
(End of White Book)
[1] Also published by ITU as ITU-T Recommendation H.264.https://www.itu.int/rec/T-REC-H.264-202108-I/en
[2] Also published by ITU as ITU-T Recommendation H.265: https://www.itu.int/rec/T-REC-H.265-202108-I/en
[3] Also published by ITU as ITU-T Recommendation H.265:2015
